In The Darkness

BFA Thesis - This project had me focus on implementing many small choices to keep the visuals intriguing in an otherwise talking head film. When do we jump into the conversation with the camera? Do we jump the line here? How is the set & wardrobe choices an extension of the story?

Cinematographer

Format: Digital Full-Frame

Camera: Sony Fx9

Glass: Zeiss CP2 w/Rear Netting

Aspect Ratio: 1.85

Cinematographer - Liam Briese

1st ac - Finn Scully

Gaffer - Meridian Eck

Production Designer - Rhea Mohajer

Director -Ally Ryan

Visual Inspirations - Werckmeister Harmonies (Opening Shot)

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